Simkhai high-rise cargo-pocket trousers Black high-rise cargo-pocket trousers from Jonathan Simkhai featuring a high rise, a straight leg, zip cuffs, side slit pockets, flap pockets, back jetted pockets, a concealed fastening and a D-ring buckle. Composition Outer: Acetate 65%, Polyamide 32%, Spandex/Elastane 3% Lining: Polyester The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Dry Clean Only The washing method is subject to the commercial washing standard Wearing The model is 1.78 m wearing size 6 Product IDs FARFETCH ID: 14912586 Brand style ID: JS4002Q

Alaïa SummerFall 2025: Fashion’s Lord of the Rings

Gianni Bini x Lilly Sisto Lilly Knit Plaid Suiting Lace Trim Mid Rise Buckle Wrap A-Line Mini Skirt

VersaceMilano Stamp embroidered cotton T-shirtVersace’s T-shirt is a graphic take on classic crew-neck styles. It’s cut from white cotton jersey and detailed with an arched logo in contrasting black threads at the back.Made in ItalyThe origin of the goods may vary from batch to batch. Please refer to the actual product.Highlightscloud whitecottonjersey textureembroidered logoVersace Milano Stamp embroidery at the backcrew neckshort sleevesstraight hemauthenticity QR codeCompositionCottonThe composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed.Washing instructionsMachine WashThe washing method is subject to the commercial washing standardWearingThe model is 1.86 m wearing size MThe model is also styled with: Givenchy TK-MX low-top sneakers, OUR LEGACY Mount Cargo straight-leg trousersProduct IDsFARFETCH ID: 22100650Brand style ID: 10133021A09865

It’s easy to see why Pieter Mulier has suddenly become the name on everyone’s lips amidst the industry’s great game of creative musical chairs. He’s quickly heated up Alaïa to the boiling point; turned out some of the hottest shoes and bags of the last few years – his bedazzled or mesh ballet flats and Le Teckel and Le Click bags, for example – and, according to market sources, catapulted the revenues of the Richemont-owned house by an impressive multiple. He’s also creating some of the most original, inventive and dazzling clothes in Paris, having challenged himself to work with a single yarn, without typical closures like buttons or zippers, and opting to show collections outside the fashion system, as founder Azzedine Alaïa always did. This season marked Alaïa’s first time on the official ready-to-wear calendar, albeit with its oddball seasonal nomenclature, summer-fall, and with Mulier in an experimental mood. You May Also Like Fabric donuts were the main feature of this daring collection: framing faces, ringing shoulders, and hugging hips like lifebuoys, from which fell the most seductive skirts imaginable. There were a host of new silhouettes, some tiered and pointy, others tubular, but most of them voluptuous and padded, including commanding leather coats with pool-noodle thick lapels. Mulier made giant, figurative bronze busts by artist Mark Manders the main props at his show, signaling his sculptural approach, and a wish to celebrate various cultures and eras, lauding Manders’ work as “reminiscent at once of many different cultures.” You could feel North Africa and Elizabethan royals embedded in Mulier’s designs, but with the references blurred like his soundtrack, which had electronic throb sliding up against yearning vocals in Arabic. “The idea of codes of beauty outside of any era or geography, free of boundaries, is innately keyed to the philosophy of Alaïa, our identity,” Mulier said in a letter shared right after the show. His models held their heads high and their arms folded, as if posing for a painted portrait. The whole spectacle seduced with all the smooth or furry sculpted shapes, and the seductive swish and sway of those donut-topped skirts spilling burgundy ropes, butter-colored pleats or sparkling chenille. Mixed in were handsome wool coats with roped shoulders and dramatic face-framing, or face-hiding, lapels; sleek, cutaway bolero jackets, and shearling vests with an ’80s zest. Gwendoline Christie, Rosie Huntington-Whiteley, Liya Kebede and Pierpaolo Piccioli were among the VIPs crowded on black metal benches lined up in what is usually Alaïa’s atelier, and they let out a cheer when Mulier, fashion’s new lord of the rings, bounded out for a bow.

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